notationnotes: Examples from Fischinger’s Ornament Sound experimentsFrom the Collection of Center for Visual Music. In 1931, Oskar Fischinger realized that the optical soundtrack on film consists of abstract patterns. He systematically worked on the possibilities of producing sound by means of abstract drawings or ornaments on the film’s optical soundtrack.

notationnotes:

Examples from Fischinger’s Ornament Sound experiments
From the Collection of Center for Visual Music.

In 1931, Oskar Fischinger realized that the optical soundtrack on film consists of abstract patterns. He systematically worked on the possibilities of producing sound by means of abstract drawings or ornaments on the film’s optical soundtrack.

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